****Big Spoilers Ahead*****
The new God of War isn’t just about Kratos’s redemption. It’s also an origin story to one of the most mysterious characters in myth, Loki the trickster god. At the end of the game you find out that Kratos’s wife, Faye, was a giantess that received a prophecy about a child and the end times and left the giants to go make that prophecy a reality. Kratos reveals that Faye wanted to name their son Loki not Aretus.
To those familiar with Norse myth, or marvel movies, that reveal might seem sinister, but it’s not presented that way. Rather it’s a heartfelt moment. Aretus discovers a part of his past, the giants. And Kratos and Aretus finally say goodbye to Aretus’s mother together.
Aretus, the Loki of God of War, seems like he will be a very different figure than the Loki of myth, but maybe not that different. Mythology is meant to be reinterpreted. Stories often have multiple endings and shifts in relationships between characters. Each retelling is a new adaptation building on the bones of the old. And there are enough gaps in myth and ways to view Loki’s actions to make him into a sympathetic character. And the new God of War has already shown that it knows how retell and re-frame a good myth.
One thing that the original God of War series got right about mythology is that the gods are jerks. The amazing Myths and Legends Podcast (cannot recommend enough) calls Zeus mythology’s ‘greatest monster’ and the God of War series dug into that. In Norse myth the Aesir can be just as bad, especially to the giants, who while not exactly benevolent, don’t deserve all the tricks and murdering that the Aesir inflicted on them.
The new God of War casts the giants in a sympathetic light, even making monsters like the World Serpent into polite allies. It accomplishes this by simply telling the actual myths. Throughout God of War you travel the Lake of the Nine listening to Mimir, your friendly served head and guide. He tells Aretus different Norse legends, but from the giant’s point of view, making the Aesir the antagonists rather than the heroes.
In other ways God of War expands upon ideas already in Norse mythology like Freya marrying Odin even though Freya was Vanir (a different ‘tribe’ of gods.) I don’t love God of War’s reinterpretation of Bladur, but its exploration of his invulnerability makes him more complex. Baldur’s immortality becomes a curse, he can’t die or feel pain, but he can’t feel anything and rather than be grateful to his mother Freya for the gift, he resents her. Also Bladur gives you the biggest hint that Aretus is really Loki pre-end game. Freya freaks out when she sees the ‘green’ arrows that Aretus has. I knew that Bladur dies from an arrow made of mistletoe and leapt out of my seat with an ‘oh damn!’ at that scene.
Loki himself is a figure ripe for this kind of re-framing and exploration. In myth he’s not an Aesir or a giant, though he is connected to them both. Loki hangs out with Odin and Thor, an outsider as much as core member of Asgard. And his tricks help the gods as much as they hurt them. He doesn’t become a true villain until Ragnarok when his monstrous children with a giantess: The World Serpent and Fenrir the wolf, are destined to kill the gods. Loki himself kicks off Ragnarok by orchestrating Baldur’s murder.
In God of War Aretus-loki (Areki? Lotus?) wounds Baldur with a mistletoe arrow by mistake. He does so in an attempt to save Freya from Baldur who is set on killing her. Aretus is presented as less a trickster and more as clever. He’s good at languages and riddles and can work magic unlike his Dad who just brute forces his way through. Aretus does have a bit of Loki’s mean streak, though he apologizes and learns from it.
The God of War version of Loki is probably going to be closer to the God of War version of Tyr. There’s not a lot myths involving Tyr. He’s the Norse god of war and loses a hand to Fenrir in order to bind the wolf. God of War uses the gaps in Tyr’s myth to expand the character. He’s the anti-Kratos, a god of war that isn’t violent and aggressive, but rather one that decides ending wars should be his role. He becomes something of a diplomat god and works against the Aesir to save the giants before disappearing.
Aretus-Loki will probably grow in the next God of War games in a similar way. He will be clever and tricky, but not wicked. He will be molded by myth, but not shaped by it, becoming a unique character all his own. But he will still owe something to the Lokis of myth and pop culture that came before him. A reaction to them, a retelling, the way myths are meant to be.